Overview
The front of the subwoofer consists of the low frequency driver and upper bass frequency port as well as controls for Standby Power, Movie/Music Mode, High Cut (crossover frequency adjustment), and Volume.
The rear panel of the 205 consists of the main power switch, line level input for amplifiers with a line-level subwoofer output, traditional speaker connections for amplifiers with no line-level subwoofer output, speaker connections for pass through to main or satellite speakers for mid and high frequencies, auto standby setup switch for automatic operation, and phase switch to compensate for speaker polarization issues.
Setup and Testing
A sampling of the software used included standard CDs: HEART - Dreamboat Annie, Pink Floyd: Dark Side Of The Moon (2003), Nora Jones: Come Away With Me, Blondie: Live (HDCD), Telarc: 1812 Oveture. One Laserdisc was used: Godzilla 1998. DVDs used included: Godzilla 1998, Jurassic Park III, The Mummy/The Mummy Returns, and U571(DTS). DVD-Audio/DTS music discs: Queen: Night At The Opera/The Game, Eagles: Hotel California, Alan Parsons: On Air. Portions of other software titles in the above categories were used as well.
I found that the combination of the larger L/R main speakers working in combination with the YST-205 gave a slightly better result than using it with smaller bookshelf main L/R speakers, as the 205 was great at reproducing the extreme low frequency information and paired well with overlap in the higher bass frequencies with the upper bass frequency output of the large mains. In addition, the positioning of the 205 on either the side of the L or R main speaker gave acoustically better results than positioning it in the rear or side of the room as the waves were in phase and reflecting in the same manner of the walls and floor, as the mid-low frequencies from the mains. Lastly, the 205 worked well with both the Marantz and Yamaha AV receivers listed above and never showed signs of any unusual disortion at either low or moderately high volume levels and did not elicit listening fatigue over long periods of time.
Continue on to Page 2 - Conclusion



